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One of the most exciting movements in electronic music today, Club Autonomic is the result of the creative collision of the talents of dBridge (once of Bad Company) and Instra:mental.Every month since January 2009, a fresh Layer of the podcast has been available to download, with the number of subscribers now swelling into the tens of thousands. Drawing a rich seam of influence from experimental electronica, techno and synth-led soundtracks, this is minimal, glitchy, soul-ridden sonic artistry that just happens to be drum ‘n’ bass.Naturally, the music of dBridge and Instra:mental takes centre stage, alongside that of signings to their respective Exit and NonPlus+ labels such as ASC and Consequence, and other artists from DnB’s deeper factions such as Calibre and Spectrasoul as well as dubstep’s Skream.Log on to the Club Autonomic website and join the revolution. Prev Page 3 of 26 Next Prev Page 3 of 26 Next. A true scientist of sub-sonics, Dillinja was one of the most important and influential producers in the evolution of drum ‘n’ bass.From a childhood spent listening to legendary reggae sound-systems in his native Brixton, Dillinja was instilled with an obsession for low frequencies that led to him creating some of the finest example of drum ‘n’ bass ever made (such as and (as Capone)). With Lemon D, he’s also the co-owner of the Valve sound-system and record label.Having famously re-mortgaged his house to pay for its construction, the Valve was the world’s first purpose-built DnB sound-system and forced the rest of the scene to up its game in terms of the quality of the systems at raves.D is also for:and: the two main internet forums for all things drum ‘n’ bass and otherwise. Prev Page 4 of 26 Next Prev Page 4 of 26 Next.
Undoubtedly the most important venue in the history of drum ‘n’ bass, London’s was a true sanctuary for the scene from the moment it opened in 1996 to its much-lamented closure in January 2009.Home to nearly every quality DnB event in the capital, it wasn’t just Ram Records and Renegade Hardware who called The End home, but Shogun Audio and DJ Marky and Friends too, as well as many more.With a universally lauded in-house sound system and a DJ booth located in the thick of the dancefloor, The End really was a unique venue. What the Hacienda was to acid house and rave, The End was to drum ‘n’ bass.E is also for:Ed Rush & Optical: Owners of Virus, Tech-step masters and creators of classics such as Watermelon, Bacteria and Pacman, the legions of fanboys who worship them definitely have a point. Prev Page 5 of 26 Next Prev Page 5 of 26 Next. On the packed timeline of Bristol’s musical history, Full Cycle’s presence dominates the years from its Music Box debut in 1993 to its eventual closure in 2008.As the outlet for the productions of friends Roni Size, Krust, Die and Suv (who achieved critical acclaim and Mercury Prize success with their Reprazent project), Full Cycle was home to classics such as, and.In 2003, the label was rejuvenated by the signing of a new Bristolian producer named Clipz. He became one of the most loved and loathed producers on the scene with insanely catchy, bleeping tracks such as and, and while some mockingly called his music ‘Nokia-step’, there’s no denying that it spawned a whole new direction for drum ‘n’ bass.F is also for:Fabio: One of DnB’s founding fathers, Fabio shares with fellow visionary Grooverider and is known for pushing the more musical, deeper shades of the DnB spectrum.
Prev Page 6 of 26 Next Prev Page 6 of 26 Next. There aren’t many people who can lay claim to the variety of life experiences and achievements of this man. In fact, no one else can.
A respected graffiti artist and a classical orchestra conductor, a Bond villain and a Big Brother contestant, Goldie also happens to be responsible for the finest drum ‘n’ bass album ever produced, 1994’s Timeless, and is the owner of the grand-daddy of all DnB labels,.After a decade and a half in drum ‘n’ bass, Goldie’s integrity is still as solid as ever; just check his latest collaboration with Commix, for proof.G is also for:Grooverider: Known as ‘the godfather’, Grooverider is a rave, jungle and DnB legend who can be found DJing around the world and co-hosting with Fabio. Prev Page 7 of 26 Next Prev Page 7 of 26 Next. After the cold, stepping minimalism of Lost Hours / Late Nights on Kasra’s Critical imprint really made the DnB world sit up and take notice, Icicle has settled at DJ Friction’s label and quickly become one of the most exciting new talents in drum ‘n’ bass.As part of a cohort of producers from Eindhoven in The Netherlands, Icicle is at the forefront of DnB as it hurtles into a new decade.I is also for:: New signing to Clipz’s Audio Zoo label, and a part of the Central Spillz collective, this young guy from Bristol is gonna be huge.
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Prev Page 9 of 26 Next Prev Page 9 of 26 Next. It was around the mid-1990s that the jungle scene morphed into drum ‘n’ bass, as 2-step drum machine beats took over from edited breaks and producers began to explore synthesis and sampling to place the bass at the centre of their tunes.Labels such as Suburban Base, S.O.U.R. And Labello Blanco led the way for early-‘90s jungle, releasing music that embraced new technology to twist reggae, techno, house and hip-hop influences into a sound the like of which had never been heard before.Although arguments still rage as to whether DnB and jungle are indeed separate stylistic churches, one thing’s for sure: without jungle there would be no DnB.J is also for:Jump-up: Does exactly what it says on the tin - this sub-genre of DnB makes you wanna jump up and dance. Typified by 2-step drum patterns, huge basslines and, more recently, screeching, whistling mid-range layered subs, it’s the marmite of DnB, but also the biggest selling and most popular variant of it. Prev Page 10 of 26 Next Prev Page 10 of 26 Next.
In a typical DnB track the kick will hit on the first and third beat of the bar. Often pitched up, layered and compressed in today’s drum ‘n’ bass, kick drums interact with the bass to form the tribal groove that lies at the very heart of all DnB.More interestingly is the way in which over the years DnB has employed the kick sample from a Roland TR-808 as a bass tone, utilising its booming low-end characteristics in a way that was never intended.K is also for:Knowledge Magazine: Alongside, Knowledge was one of DnB’s longest-running and most respected dedicated magazines. After rebranding itself as a few years back, it’s now finding new life as an internet-only publication. Prev Page 11 of 26 Next Prev Page 11 of 26 Next. Still considered by many to be one of the greatest drum ‘n’ bass track ever produced, is nothing short of a masterpiece. From the wailing ethnic vocals of its suspense-filled intro to the cataclysmic eventual impact of its pummelling drop, Kemal & Rob Data combined to unleash a landmark moment in the evolution of DnB that went on to influence entire generations of producers.Recently, Messiah has found a new audience in one of its many remix incarnations as the soundtrack to that YouTube video, the hilarious. Check it now and try not to fall off your chair laughing.M is also for:Moving Shadow: A label that evolved alongside DnB from hardcore, the now-closed Moving Shadow is one of the most fondly remembered imprints in rave music history and played a pivotal role in the evolution of DnB in the late ‘90s, offering a creative home for the likes of Omni Trio and EZ Rollers.
Prev Page 13 of 26 Next Prev Page 13 of 26 Next. Creators of Kontakt, one of the most universally used soft samplers by DnB producers, is also responsible for the now ubiquitous sounds of soft synths Massive, Absynth, FM8 and Reaktor, as well as the Traktor DJing software.Offering the kind of power and creative opportunities unimaginable just a decade ago, NI’s suite of software gives amateur and professional DnB producers alike an awesome sonic artillery with which to push the boundaries of the genre further than ever before. Prev Page 14 of 26 Next Prev Page 14 of 26 Next.
An old Methodist church, the Q Club has to be seen to be believed. A labyrinth of corridors and huge rooms surround a gigantic main arena with vertigo-inducing tiered seating rising high above it.Over the years the Q has been home to everything from One Nation to Slammin Vinyl and earned a permanent place in dance music history.Q is also for:Q Project: One half of Total Science, the bespectacled Q Project is still going strong 15 years after he created the completely classic Champion Sound. Prev Page 17 of 26 Next Prev Page 17 of 26 Next. Acknowledged to have been first used in US house producer Kevin Saunderson’s 1988 classic, this sound found its way into DnB in 1994’s (Ray Keith).
The Reese bass soon became a firm favourite of DnB producers, and has now featured in thousands of tracks.The Tech-step pioneers of the late-90s on labels such as No U Turn and Virus perfected the use of the Reese, and over recent years the new wave of Neuro DnB producers have pushed the sound to its limits with innovative use of processing and effects chains. Check Teebee and Calyx’s for an example of how far the Reese has come.R is also for:: London-based label and clubnight that inspires near-religious devotion among its many fans. Dark, techy and atmospheric, Hardware has been leading the way for over a decade. Prev Page 18 of 26 Next Prev Page 18 of 26 Next. With its piano intro and subsequent drop into a Reese bass and amen break rinse-out, hit upon an arrangement that set the structure for the music evolving from jungle and hardcore that would go on to become known as drum ‘n’ bass.As such, this masterclass in keeping things simple is without doubt one of the most important pieces of dance music ever made.T is also for:Tech-step: A total departure from jungle and jump-up, the cold, dystopian vibes of tech-step (as epitomised by the No U Turn label) took hold of the scene in the late ‘90s with tracks such as. Prev Page 20 of 26 Next Prev Page 20 of 26 Next. First released in 1997, the Virus was immediately adopted as the weapon of choice for tech-step luminaries such as Ed Rush & Optical (who named their label Virus in honour of the synth) and the No U Turn camp.
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These artists set about utilising awesome analogue-style oscillators and tactile controls to completely redefine the sound of drum ‘n’ bass.Still hugely popular with DnB producers such as Alix Perez, the Virus’s latest incarnations are the Virus TI, Polar TI and Snow models, any of which sit permanently at the top of any DnB producer’s kit wish-list.V is also for:V Recordings: Bryan G’s legendary imprint that launched the careers of Roni Size, Die, and Krust back in its 1990s heyday, and is still going strong today. Prev Page 22 of 26 Next Prev Page 22 of 26 Next. The less said about this the better, because it’s always a contentious issue in DnB circles but let’s be honest, who doesn’t love a bit of wobble?Perhaps now more associated with dubstep than DnB, the quivering plate-of-jelly bass created by assigning an LFO to the filter cut-off has come to typify the sounds of new skool jump-up and resultantly led to the highly derogatory term ‘wobble’.For a master-class in ‘wobble’ done properly, check Taxman’s 2004 classic.W is also for:: DJ Krust’s 1996 classic stepping groove, simple but devastating. Prev Page 23 of 26 Next Prev Page 23 of 26 Next. When Andy C first began dropping in his sets, the entire DnB world sat up and took notice. Incredibly engineered and guaranteed to set any dancefloor on fire, this track from young London-based producer Sub Focus signalled the arrival of one of the most technically skilled producers DnB has ever known.With his eponymous album finally now released, the man who’s helped push DnB onto Radio One’s daytime playlists with his electro house-inspired productions has his place in DnB history assured.X is also for:Xample: One of Ram’s newest signings alongside fellow Bristolian Lomax, huge things await this frightening talent. Prev Page 24 of 26 Next Prev Page 24 of 26 Next.
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